Canon's 4K - EOS-1D C now EBU Tier 1 approved

Canon’s 4K DSLR camera, the EOS-1D C, has become the first DSLR to meet the EBU Tech 3335 requirements that show it can deliver an image of high enough quality for top-end broadcast production. If you are interested in the tests the camera had to pass here's the link to the EBU doc.

The camera is based on the EOS-1D X, but is designed for video-supporting in-camera 4K (4,096x2,160) recording with 4:2:2 colour sampling.

C300 is most popular rental camera

Canon's C300 camcorder has topped Televisual's list of the most popular rental cameras in the UK for 2012

The full list is:

Canon launches EOS C100 – a half-price C300 (with half the bit rate)

Canon’s new entry-level member of its large-sensor EOS Cinema camera range will be less than half the price of the acclaimed C300, but unfortunately it isn’t an XF camera, as it records 24Mbps AVCHD to SD cards rather than 50Mbps MXF.

However, it does have a lockable HDMI port with full, 4:2:2 uncompressed output, so anyone with a Ninja 2 or similar external recorder, can get the glorious C300 sensor at a sensible price.

For the full details, have a look at our EOS C100 preview on the UrbanFoxTV blog.

Training Course Notes: What is Peaking?

When most people first switch on peaking they leave the settings on the default colour - white. The trouble is, white peaking is the hardest to see. They might notice some difference between it being switched on or off but not much. And so most people switch it off and don't use it. This is a shame because peaking is very useful.

These notes are based on the Canon XF300 and XF305 - but the same information also applies to peaking on the Canon XF100 and XF105. In fact, all professional cameras have peaking - so this should help any Sony, Panasonic or JVC owners too.

I want to show you what it is, how to set it up, and maybe convince you to leave it on all the time.